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Welcome to the online press office of the Museum of Modern Art in Warsaw. Here you can view and download information about current and upcoming exhibitions and the program of accompanying events, access our archive of press releases, and download high-resolution photos and videos. We also invite you to contact our Communications Department.

„Edward Dwurnik: Pride and Shame” | PRESS RELEASE

„Edward Dwurnik: Pride and Shame” | PRESS RELEASE

„Edward Dwurnik: Pride and Shame” | PRESS RELEASE

„Edward Dwurnik: Pride and Shame” | materials for download

Edward Dwurnik, The Disaster of a Bountiful Harvest (from the series Large Paintings), 1975, acrylic and oil on canvas, National Museum in Kraków. Photo from the archives of the Edward Dwurnik Foundation.

Edward Dwurnik, The Disaster of a Bountiful Harvest (from the series Large Paintings), 1975, acrylic and oil on canvas, National Museum in Kraków. Photo from the archives of the Edward Dwurnik Foundation.

Edward Dwurnik, I Like This Snow (from the series Large Paintings), 1980, oil on canvas, Edward Dwurnik Foundation.

Edward Dwurnik, I Like This Snow (from the series Large Paintings), 1980, oil on canvas, Edward Dwurnik Foundation.

Edward Dwurnik, Woman in a Hammock (from the series Sportsmen (XV)), 1991, oil on canvas, Edward Dwurnik Foundation.

Edward Dwurnik, Woman in a Hammock (from the series Sportsmen (XV)), 1991, oil on canvas, Edward Dwurnik Foundation.

Edward Dwurnik, Long Live War No. 16, 1991, oil on canvas, Edward Dwurnik Foundation.

Edward Dwurnik, Long Live War No. 16, 1991, oil on canvas, Edward Dwurnik Foundation.

Edward Dwurnik, Bus Stop (from the series Large Paintings), 1974, acrylic and oil on canvas, Edward Dwurnik Foundation.

Edward Dwurnik, Bus Stop (from the series Large Paintings), 1974, acrylic and oil on canvas, Edward Dwurnik Foundation.

Edward Dwurnik, photo by Teresa Gierzyńska, from the archives of the Edward Dwurnik Foundation

Edward Dwurnik, photo by Teresa Gierzyńska, from the archives of the Edward Dwurnik Foundation

Edward Dwurnik, photo by Teresa Gierzyńska, from the archives of the Edward Dwurnik Foundation

Edward Dwurnik, photo by Teresa Gierzyńska, from the archives of the Edward Dwurnik Foundation

Edward Dwurnik, photo by Teresa Gierzyńska, from the archives of the Edward Dwurnik Foundation

Edward Dwurnik, photo by Teresa Gierzyńska, from the archives of the Edward Dwurnik Foundation

In the Very Bowels of Changes: Surrealism and Antifascism, and Ways of the Black Spread Over the White Land | PRESS RELEASE Musée d’Art moderne de Paris © ADAGP, Paris / ZAIKS, Warsaw

In the Very Bowels of Changes: Surrealism and Antifascism, and Ways of the Black Spread Over the White Land | PRESS RELEASE Musée d’Art moderne de Paris © ADAGP, Paris / ZAIKS, Warsaw

In the Very Bowels of Changes: Surrealism and Antifascism, and Ways of the Black Spread Over the White Land | materials for download

VICTOR BRAUNER, THE ENCOUNTER OF 2 BIS RUE PERREL, 1946, oil on canvas, Musée d’Art moderne de Paris © ADAGP, Paris / ZAIKS, Warsaw

VICTOR BRAUNER, THE ENCOUNTER OF 2 BIS RUE PERREL, 1946, oil on canvas, Musée d’Art moderne de Paris © ADAGP, Paris / ZAIKS, Warsaw

Leonora Carrington, "NOAH'S ARK," ca. 1938, oil on canvas, private collection

Leonora Carrington, "NOAH'S ARK," ca. 1938, oil on canvas, private collection

PABLO PICASSO HORSE HEAD. SKETCH FOR GUERNICA,1937, oil on canvas, Museo Nacional Centro de Arte Reina Sofía, Madrid © Succession Picasso 2026

PABLO PICASSO HORSE HEAD. SKETCH FOR GUERNICA,1937, oil on canvas, Museo Nacional Centro de Arte Reina Sofía, Madrid © Succession Picasso 2026

MAX ERNST, HEAD OF THE ANGEL OF HEARTH AND HOME, ca 1937, oil on canvas, The Ulla and Heiner Pietzsch Collection, Berlin © ADAGP, Paris / ZAIKS, Warsaw

MAX ERNST, HEAD OF THE ANGEL OF HEARTH AND HOME, ca 1937, oil on canvas, The Ulla and Heiner Pietzsch Collection, Berlin © ADAGP, Paris / ZAIKS, Warsaw

Marian Bogusz, Ways of the White Spread Over the Black Land, 1948, oil on canvas Museum of Middle Pomerania in Słupsk Photo by Alina Częścik

Marian Bogusz, Ways of the White Spread Over the Black Land, 1948, oil on canvas Museum of Middle Pomerania in Słupsk Photo by Alina Częścik

Ewa Kuryluk, The Iks Are Us,1975, acrylic and collage on canvas Courtesy of the artist and the National Museum in Warsaw Photo by Piotr Ligier

Ewa Kuryluk, The Iks Are Us,1975, acrylic and collage on canvas Courtesy of the artist and the National Museum in Warsaw Photo by Piotr Ligier

Maja ∀. Ngom,The Sweet Taste of Otherness, 2020, ceramics (stoneware, engobe) Courtesy of the artist.

Maja ∀. Ngom,The Sweet Taste of Otherness, 2020, ceramics (stoneware, engobe) Courtesy of the artist.

A view of the exhibition “IN THE VERY BOWELS OF CHANGES: SURREALISM AND ANTIFASCISM,” Museum of Modern Art in Warsaw, photo by Alicja Szulc

A view of the exhibition “IN THE VERY BOWELS OF CHANGES: SURREALISM AND ANTIFASCISM,” Museum of Modern Art in Warsaw, photo by Alicja Szulc

A view of the exhibition “IN THE VERY BOWELS OF CHANGES: SURREALISM AND ANTIFASCISM,” Museum of Modern Art in Warsaw, photo by Alicja Szulc

A view of the exhibition “IN THE VERY BOWELS OF CHANGES: SURREALISM AND ANTIFASCISM,” Museum of Modern Art in Warsaw, photo by Alicja Szulc

A view of the exhibition “IN THE VERY BOWELS OF CHANGES: SURREALISM AND ANTIFASCISM,” Museum of Modern Art in Warsaw, photo by Alicja Szulc

A view of the exhibition “IN THE VERY BOWELS OF CHANGES: SURREALISM AND ANTIFASCISM,” Museum of Modern Art in Warsaw, photo by Alicja Szulc

A view of the exhibition “IN THE VERY BOWELS OF CHANGES: SURREALISM AND ANTIFASCISM,” Museum of Modern Art in Warsaw, photo by Alicja Szulc

A view of the exhibition “IN THE VERY BOWELS OF CHANGES: SURREALISM AND ANTIFASCISM,” Museum of Modern Art in Warsaw, photo by Alicja Szulc

View of the exhibition “WAYS OF THE BLACK SPREAD OVER THE WHITE LAND”, Museum of Modern Art in Warsaw, photo by Alicja Szulc

View of the exhibition “WAYS OF THE BLACK SPREAD OVER THE WHITE LAND”, Museum of Modern Art in Warsaw, photo by Alicja Szulc

View of the exhibition “WAYS OF THE BLACK SPREAD OVER THE WHITE LAND”, Museum of Modern Art in Warsaw, photo by Alicja Szulc

View of the exhibition “WAYS OF THE BLACK SPREAD OVER THE WHITE LAND”, Museum of Modern Art in Warsaw, photo by Alicja Szulc

View of the exhibition “WAYS OF THE BLACK SPREAD OVER THE WHITE LAND”, Museum of Modern Art in Warsaw, photo by Alicja Szulc

View of the exhibition “WAYS OF THE BLACK SPREAD OVER THE WHITE LAND”, Museum of Modern Art in Warsaw, photo by Alicja Szulc

View of the exhibition “WAYS OF THE BLACK SPREAD OVER THE WHITE LAND”, Museum of Modern Art in Warsaw, photo by Alicja Szulc

View of the exhibition “WAYS OF THE BLACK SPREAD OVER THE WHITE LAND”, Museum of Modern Art in Warsaw, photo by Alicja Szulc

Three Generations of Abstract Art | Julie Mehretu / Maria Jarema / Minh Lan Tran | press release

Three Generations of Abstract Art | Julie Mehretu / Maria Jarema / Minh Lan Tran | press release

Maria Jarema. Cracked Modernism | Press Release

Maria Jarema. Cracked modernism | press release

Three Generations of Abstract Art | Julie Mehretu / Maria Jarema / Minh Lan Tran | downloadable materials

Julie Mehretu, They departed for their own country another way, 2023, ink and acrylic paint on canvas, YAGEO Foundation Collection (Taiwan), Museum of Modern Art in Warsaw. Photo by Alicja Szulc.

Julie Mehretu, They departed for their own country another way, 2023, ink and acrylic paint on canvas, YAGEO Foundation Collection (Taiwan), Museum of Modern Art in Warsaw. Photo by Alicja Szulc.

Julie Mehretu, TRANSspaintings (SKULL), 2023, ink and acrylic on polyester mesh, courtesy of the artist and White Cube, Museum of Modern Art in Warsaw, photo by Alicja Szulc

Julie Mehretu, TRANSspaintings (SKULL), 2023, ink and acrylic on polyester mesh, courtesy of the artist and White Cube, Museum of Modern Art in Warsaw, photo by Alicja Szulc

Julie Mehretu, Invisible line (collective), 2010–2011, ink and acrylic on canvas, Pinault Collection, Museum of Modern Art in Warsaw. Photo by Alicja Szulc.

Julie Mehretu, Invisible line (collective), 2010–2011, ink and acrylic on canvas, Pinault Collection, Museum of Modern Art in Warsaw. Photo by Alicja Szulc.

Julie Mehretu Photo: Josefina Santos

Julie Mehretu Photo: Josefina Santos

Julie Mehretu Oneironaut 2, 2022 - 2023 Fot. Tom Powel Imaging, Courtesy of the artist and Marian Goodman Gallery, New York

Julie Mehretu Oneironaut 2, 2022 - 2023 Fot. Tom Powel Imaging, Courtesy of the artist and Marian Goodman Gallery, New York

Julie Mehretu, Ghosthymn_(after_the_Raft)2019-2021, Fot. Tom_Powel, detal, Courtesy of the artist and Marian Goodman Gallery, New York

Julie Mehretu, Ghosthymn_(after_the_Raft)2019-2021, Fot. Tom_Powel, detal, Courtesy of the artist and Marian Goodman Gallery, New York

Julie Mehretu, Black City, Fot. Tim Thayer, Courtesy of the artist and Marian Goodman Gallery and carlier _ gebauer, Berlin

Julie Mehretu, Black City, Fot. Tim Thayer, Courtesy of the artist and Marian Goodman Gallery and carlier _ gebauer, Berlin

Mural_photo_Tom_Powel_detail_195

Mural_photo_Tom_Powel_detail_195

Exhibition view, Maria Jarema, Cracked Modernism, Museum of Modern Art in Warsaw. Photo by Alicja Szulc.

Exhibition view, Maria Jarema, Cracked Modernism, Museum of Modern Art in Warsaw. Photo by Alicja Szulc.

Exhibition view, Maria Jarema, Cracked Modernism, Museum of Modern Art in Warsaw. Photo by Alicja Szulc.

Exhibition view, Maria Jarema, Cracked Modernism, Museum of Modern Art in Warsaw. Photo by Alicja Szulc.

Exhibition view: Maria Jarema, Cracked Modernism, Museum of Modern Art in Warsaw. Photo by Alicja Szulc.

Exhibition view: Maria Jarema, Cracked Modernism, Museum of Modern Art in Warsaw. Photo by Alicja Szulc.

Maria Jarema_portrait

Maria Jarema_portrait

Maria Jarema, Nude, 1946, monotype and tempera on paper. Private property

Maria Jarema, Nude, 1946, monotype and tempera on paper. Private property

Maria Jarema, Words, 1954, monotype and tempera on paper. Property of the Leon Wyczółkowski Regional Museum in Bydgoszcz.

Maria Jarema, Words, 1954, monotype and tempera on paper. Property of the Leon Wyczółkowski Regional Museum in Bydgoszcz.

Penetrations I, 1957, tempera, monotype on paper glued to canvas, Museum of Art, Łódź

Penetrations I, 1957, tempera, monotype on paper glued to canvas, Museum of Art, Łódź

1942, Portrait, gouache sur papier avec collage, National Museum in Warsaw

1942, Portrait, gouache sur papier avec collage, National Museum in Warsaw

Minh Lan Tran_Spine_Museum of Modern Art in Warsaw, photo by Alicja Szulc

Minh Lan Tran_Spine_Museum of Modern Art in Warsaw, photo by Alicja Szulc

Minh Lan Tran_Spine_Museum of Modern Art in Warsaw, photo by Alicja Szulc

Minh Lan Tran_Spine_Museum of Modern Art in Warsaw, photo by Alicja Szulc

Minh Lan Tran, fot. Larissa Hofmann

Minh Lan Tran, fot. Larissa Hofmann

Minh Lan Tran, Screen, 2026, ink, paper, egg, and charcoal on latex, phot. Yosuke Kojima

Minh Lan Tran, Screen, 2026, ink, paper, egg, and charcoal on latex, phot. Yosuke Kojima

Plans of the Museum of Modern Art in Warsaw for 2026 | press release

Plans of the Museum of Modern Art in Warsaw for 2026 | press release

Plans of the Museum of Modern Art in Warsaw for 2026 | press release

Plans of the Museum of Modern Art in Warsaw for 2026 | downloadable materials

"Nadia Markiewicz. Misterioso"

"Nadia Markiewicz. Misterioso"

Julie Mehretu Oneironaut 2, 2022 - 2023 Fot. Tom Powel Imaging, Courtesy of the artist and Marian Goodman Gallery, New York

Julie Mehretu Oneironaut 2, 2022 - 2023 Fot. Tom Powel Imaging, Courtesy of the artist and Marian Goodman Gallery, New York

Julie Mehretu, Ghosthymn_(after_the_Raft)2019-2021, Fot. Tom_Powel, detal, Courtesy of the artist and Marian Goodman Gallery, New York

Julie Mehretu, Ghosthymn_(after_the_Raft)2019-2021, Fot. Tom_Powel, detal, Courtesy of the artist and Marian Goodman Gallery, New York

Julie Mehretu, Black City, Fot. Tim Thayer, Courtesy of the artist and Marian Goodman Gallery and carlier _ gebauer, Berlin

Julie Mehretu, Black City, Fot. Tim Thayer, Courtesy of the artist and Marian Goodman Gallery and carlier _ gebauer, Berlin

Julie_Mehretu_Fot. Josefina_Santos

Julie_Mehretu_Fot. Josefina_Santos

Maria Jarema, Nude, 1946, monotype and tempera on paper. Private property

Maria Jarema, Nude, 1946, monotype and tempera on paper. Private property

Maria Jarema, Words, 1954, monotype and tempera on paper. Property of the Leon Wyczółkowski Regional Museum in Bydgoszcz.

Maria Jarema, Words, 1954, monotype and tempera on paper. Property of the Leon Wyczółkowski Regional Museum in Bydgoszcz.

"But Live Here? No Thanks: Surrealism and Anti-fascism" – mi-generalito-le-marquis-de-la-contre-croupe

"But Live Here? No Thanks: Surrealism and Anti-fascism" – mi-generalito-le-marquis-de-la-contre-croupe

Sculpture, RzeRose Tracction, Le Crédac. Photo Marc Domage

Sculpture, RzeRose Tracction, Le Crédac. Photo Marc Domage

Adam Kozicki, You are not a child anymore. Time to steal, 2025 courtesy of the artist

Adam Kozicki, You are not a child anymore. Time to steal, 2025 courtesy of the artist

Museum of Women | The Woman Question 1550–2025 | The City of Women | press release

Museum of Women | The Woman Question 1550–2025 | The City of Women | press release

MUSEUM OF WOMEN | The Woman Question 1550–2025 | The City of Women | downloads

Artists and participating in the exhibitions THE WOMAN QUESTION THE CITY OF WOMEN photo by Alicja Szulc

Artists and participating in the exhibitions THE WOMAN QUESTION THE CITY OF WOMEN photo by Alicja Szulc

View of the exhibition THE WOMAN QUESTION 1550–2025 Photo: Robert Głowacki

View of the exhibition THE WOMAN QUESTION 1550–2025 Photo: Robert Głowacki

View of the exhibition THE WOMAN QUESTION 1550–2025 Photo: Robert Głowacki

View of the exhibition THE WOMAN QUESTION 1550–2025 Photo: Robert Głowacki

View of the exhibition THE WOMAN QUESTION 1550–2025 Photo: Robert Głowacki

View of the exhibition THE WOMAN QUESTION 1550–2025 Photo: Robert Głowacki

View of the exhibition THE WOMAN QUESTION 1550–2025 Photo: Robert Głowacki

View of the exhibition THE WOMAN QUESTION 1550–2025 Photo: Robert Głowacki

View of the exhibition CITY OF WOMEN, Photo: Alicja Szulc

View of the exhibition CITY OF WOMEN, Photo: Alicja Szulc

View of the exhibition THE WOMAN QUESTION 1550–2025 Photo: Alicja Szulc

View of the exhibition THE WOMAN QUESTION 1550–2025 Photo: Alicja Szulc

View of the exhibition THE WOMAN QUESTION 1550–2025 Photo: Alicja Szulc

View of the exhibition THE WOMAN QUESTION 1550–2025 Photo: Alicja Szulc

Betty Tompkins, WOMEN WORDS PAINTING (ARTEMISIA GENTILESCHI #2), fot. Alicja Szulc

Betty Tompkins, WOMEN WORDS PAINTING (ARTEMISIA GENTILESCHI #2), fot. Alicja Szulc

Fahrelnissa Zeid, Someone from the past

Fahrelnissa Zeid, Someone from the past

HALINA OŁOMUCKA, LIBÉRATION

HALINA OŁOMUCKA, LIBÉRATION

INJI AFLATOUN, PORTRAIT OF INJI AFLATOUN

INJI AFLATOUN, PORTRAIT OF INJI AFLATOUN

CHARLEY TOOROP, SELF-PORTRAIT IN FRONT OF A PALETTE

CHARLEY TOOROP, SELF-PORTRAIT IN FRONT OF A PALETTE

LISA BRICE, UNTITLED (AFTER VALLOTTON)

LISA BRICE, UNTITLED (AFTER VALLOTTON)

LUBAINA HIMID, AMPHITRITE

LUBAINA HIMID, AMPHITRITE

RACHEL BAES, RETROSPECTIVE INTERVIEW

RACHEL BAES, RETROSPECTIVE INTERVIEW

TAMARA ŁEMPICKA, THE BEAUTIFUL RAFAELA IN GREEN

TAMARA ŁEMPICKA, THE BEAUTIFUL RAFAELA IN GREEN

VANESSA GERMAN, THE BLOOD & THE ANIMALS, THE MIRROR & THE SKY; AN ODE TO THE UN-LANGUAGE-ABLE TRUTH OF IS-NESS

VANESSA GERMAN, THE BLOOD & THE ANIMALS, THE MIRROR & THE SKY; AN ODE TO THE UN-LANGUAGE-ABLE TRUTH OF IS-NESS

The Woman Question: 1550– 2025 | press release

press release

press release

The Woman Question: 1550– 2025 | downloads

Artemisia Gentileschi, Susanna and the Elders, 1610, oil on canvas. The Collection of Paul Graf von Schönborn-Wiesentheid

Artemisia Gentileschi, Susanna and the Elders, 1610, oil on canvas. The Collection of Paul Graf von Schönborn-Wiesentheid

Kateryna Lysovenko, Untitled, 2022, painting. Ukrainian Museum of Contemporary Art.

Kateryna Lysovenko, Untitled, 2022, painting. Ukrainian Museum of Contemporary Art.

Marie Guilhelmine Benoists, Self-portrait, 1786, Staatliche Kunsthalle Karlsruhe

Marie Guilhelmine Benoists, Self-portrait, 1786, Staatliche Kunsthalle Karlsruhe

Małgorzata Mycek, Upiór ucztujący z mrówkami w sadzie podczas przymrozków, 2024, oil on canvas, kolekcja prywatna. Fot. Bartosz Zalewski

Małgorzata Mycek, Upiór ucztujący z mrówkami w sadzie podczas przymrozków, 2024, oil on canvas, kolekcja prywatna. Fot. Bartosz Zalewski

Betty Tompkins, Women Words Painting (Artemisia Gentileschi #2), 2024. Courtesy of Betty Tompkins and P·P·O·W, New York © Betty Tompkins. Photo: Ian Edquist

Betty Tompkins, Women Words Painting (Artemisia Gentileschi #2), 2024. Courtesy of Betty Tompkins and P·P·O·W, New York © Betty Tompkins. Photo: Ian Edquist

Anna Güntner, Nieśmiały narzeczony, 1961. Muzeum Warmii i Mazur w Olsztynie

Anna Güntner, Nieśmiały narzeczony, 1961. Muzeum Warmii i Mazur w Olsztynie

Celia Paul, Ghost of Girl with Egg, 2022. Kolekcja prywatna

Celia Paul, Ghost of Girl with Egg, 2022. Kolekcja prywatna

Macena Barton, Salomé, 1936. Rick Strilky Private Collection

Macena Barton, Salomé, 1936. Rick Strilky Private Collection

Near East, Far West—Kyiv Biennial 2025 | press release

Near East, Far West at MSN Warsaw

NEAR EAST, FAR WEST – KYIV BIENNIAL 2025 | downloadable materials

Aykan Safoğlu, Rosette, 2024, Museum of Modern Art in Warsaw, fot. Alicja Szulc

Aykan Safoğlu, Rosette, 2024, Museum of Modern Art in Warsaw, fot. Alicja Szulc

Hito Steyerl, The Leack, 2024, Muzeum Sztuki Nowoczesnej w Warszawie, fot. Alicja Szulc

Hito Steyerl, The Leack, 2024, Muzeum Sztuki Nowoczesnej w Warszawie, fot. Alicja Szulc

Works from the collection of the Mystetski Arsenal, Museum of Modern Art in Warsaw, photo: Alicja Szulc

Works from the collection of the Mystetski Arsenal, Museum of Modern Art in Warsaw, photo: Alicja Szulc

Lana Čmajčanin, 551.35 - Geometry of Time, 2014, Muzeum Sztuki Nowoczesnej w Warszawie, fot. Alicja Szulc

Lana Čmajčanin, 551.35 - Geometry of Time, 2014, Muzeum Sztuki Nowoczesnej w Warszawie, fot. Alicja Szulc

Marina Naprushkina, works from the series Birds with the People, 2023, Museum of Modern Art in Warsaw, photo: Alicja Szulc

Marina Naprushkina, works from the series Birds with the People, 2023, Museum of Modern Art in Warsaw, photo: Alicja Szulc

Exhibition view. Museum of Modern Art in Warsaw, photo by Alicja Szulc

Exhibition view. Museum of Modern Art in Warsaw, photo by Alicja Szulc

Basel Abbas and Ruanne Abou-Rahme, Until we became fire and fire us, Museum of Modern Art in Warsaw, photo by Alicja Szulc

Basel Abbas and Ruanne Abou-Rahme, Until we became fire and fire us, Museum of Modern Art in Warsaw, photo by Alicja Szulc

Basel Abbas and Ruanne Abou-Rahme, Until we became fire and fire us, Museum of Modern Art in Warsaw, photo by Alicja Szulc_2

Basel Abbas and Ruanne Abou-Rahme, Until we became fire and fire us, Museum of Modern Art in Warsaw, photo by Alicja Szulc_2

Artur Żmijewski, Red army memorial and mausoleum recomposition,Museum of Modern Art, photo by Alicja Szulc

Artur Żmijewski, Red army memorial and mausoleum recomposition,Museum of Modern Art, photo by Alicja Szulc

Exhibition view. Museum of Modern Art in Warsaw, photo by Alicja Szulc

Exhibition view. Museum of Modern Art in Warsaw, photo by Alicja Szulc

Nikita Kadan, Silence in the classroom, Museum of Modern Art in Warsaw, photo by Alicja Szulc

Nikita Kadan, Silence in the classroom, Museum of Modern Art in Warsaw, photo by Alicja Szulc

Hito Steyerl, The Leak, Museum of Modern Art in Warsaw

Hito Steyerl, The Leak, Museum of Modern Art in Warsaw

Saule Suleimenova,Sky above Almaty. Qandy Qańtar _Bloody January, Museum of Modern Art in Warsaw, photo by Alicja Szulc

Saule Suleimenova,Sky above Almaty. Qandy Qańtar _Bloody January, Museum of Modern Art in Warsaw, photo by Alicja Szulc

This fall at the Museum of Modern Art in Warsaw | press release

Autumn at the Museum of Modern Art in Warsaw | press release

Autumn at the Museum of Modern Art in Warsaw | press release

This fall at the Museum of Modern Art in Warsaw | downloadable materials

Museum of Modern Art in Warsaw, photo by Maja Wirkus

Museum of Modern Art in Warsaw, photo by Maja Wirkus

Museum of Modern Art in Warsaw, photo by Maja Wirkus

Museum of Modern Art in Warsaw, photo by Maja Wirkus

Museum of Modern Art in Warsaw, photo by Piotr Kruszak

Museum of Modern Art in Warsaw, photo by Piotr Kruszak

Salt Warehouse. This planet is already inhabited, photo by Stan Barański

Salt Warehouse. This planet is already inhabited, photo by Stan Barański

Salt Warehouse. This planet is already inhabited, photo by Aleksander Hordziej

Salt Warehouse. This planet is already inhabited, photo by Aleksander Hordziej

Salt Warehouse. This planet is already inhabited

Salt Warehouse. This planet is already inhabited

The woman question: 1550–2025 Artemisia Gentileschi, Susanna and the Elders, 1610, “Kunstsammlungen Graf von Schönborn, Pommersfelden“

The woman question: 1550–2025 Artemisia Gentileschi, Susanna and the Elders, 1610, “Kunstsammlungen Graf von Schönborn, Pommersfelden“

The woman question: 1550–2025 Betty Tompkins, Women Words Painting (Artemisia Gentileschi #2), 2024. Courtesy of Betty Tompkins and P·P·O·W, New York © Betty Tompkins. Photo: Ian Edquist

The woman question: 1550–2025 Betty Tompkins, Women Words Painting (Artemisia Gentileschi #2), 2024. Courtesy of Betty Tompkins and P·P·O·W, New York © Betty Tompkins. Photo: Ian Edquist

The woman question: 1550–2025 Kateryna Lysovenko, Untitled, 2022, painting. Ukrainian Museum of Contemporary Art

The woman question: 1550–2025 Kateryna Lysovenko, Untitled, 2022, painting. Ukrainian Museum of Contemporary Art

The City of Woman. Miasto kobiet. Anna Maria Maiolino, In-Out (Antropofagia)

The City of Woman. Miasto kobiet. Anna Maria Maiolino, In-Out (Antropofagia)

The City of Woman. Katarzyna Depta-Garapich, Hands

The City of Woman. Katarzyna Depta-Garapich, Hands

The City of Woman. Solidarity apron (twin with Ireland)

The City of Woman. Solidarity apron (twin with Ireland)

Why do we need art? - book cover

Why do we need art? - book cover

"The Cynics Republic – Plac Defilad" | press release

"The Cynics Republic – Plac Defilad" | press release

"The Cynics Republic – Plac Defilad" | press release

"The Cynics Republic – Plac Defilad" | press release

"The Cynics Republic – Plac Defilad" | press release

Materials for download

The opening of The Cynics Republic - Plac Defilad and Roman Ondak`s performance "Crowd"

The opening of The Cynics Republic - Plac Defilad and Roman Ondak`s performance "Crowd"

Vertical exhibition, The Cynics Republic - Plac Defilad, Museum of Modern Art in Warsaw, photo by Pat Mic

Vertical exhibition, The Cynics Republic - Plac Defilad, Museum of Modern Art in Warsaw, photo by Pat Mic

Vertical exhibition, The Cynics Republic - Plac Defilad, Museum of Modern Art in Warsaw, photo by Pat Mic

Vertical exhibition, The Cynics Republic - Plac Defilad, Museum of Modern Art in Warsaw, photo by Pat Mic

Vetrical exhibition, The Cynic Republic - Plac Defilad, photo by Pat Mic

Vetrical exhibition, The Cynic Republic - Plac Defilad, photo by Pat Mic

Manuel Pelmuş`s performance "Two Times after Mladen Stilinović", The Cynics Republic - Plac Defilad, photo by Pat Mic

Manuel Pelmuş`s performance "Two Times after Mladen Stilinović", The Cynics Republic - Plac Defilad, photo by Pat Mic

Marcus Geiger, No title, 2017

Marcus Geiger, No title, 2017

Marcus Geiger, Wealth of Nations, Tank T 34–85, 1991

Marcus Geiger, Wealth of Nations, Tank T 34–85, 1991

Marcus Geiger, Wealth of Nations, Tank T 34–85, 1991

Marcus Geiger, Wealth of Nations, Tank T 34–85, 1991

Tomasz Sikorski, RESISTANCE, 1981, London Video Arts & Air Gallery, Londyn

Tomasz Sikorski, RESISTANCE, 1981, London Video Arts & Air Gallery, Londyn

Poster

Poster

Exhibition of the MSN Warsaw collection | press release

Exhibition of the MSN Warsaw collection open to the public

Exhibition of the MSN Warsaw collection open to the public

Materials for download

Cecilia Vicuña Menstrual Quipu (The Blood of Glaciers) Phot. Maja Wirkus

Cecilia Vicuña Menstrual Quipu (The Blood of Glaciers) Phot. Maja Wirkus

Friendship (Monument of Polish-Soviet Friendship. Phot. Maja Wirkus

Friendship (Monument of Polish-Soviet Friendship. Phot. Maja Wirkus

File preview

Untitled File

"The Impermanent. Four Takes on the Collection", Phot. A. Szulc

"The Impermanent. Four Takes on the Collection", Phot. A. Szulc

"The Impermanent. Four Takes on the Collection", Phot. A. Szulc

"The Impermanent. Four Takes on the Collection", Phot. A. Szulc

News

Julie Mehretu: Kairos / Hauntological Variations
exhibition closing weekend

As the exhibition Julie Mehretu: Kairos / Hauntological Variations nears conclusion, several special events offer new experiences of works on show to the viewers—involving poetry, performance art, and choreography.

A museum for 1 zł!

We are very proud to participate in the nationwide “Museum for 1 zł” program, organized in cooperation with the Ministry of Culture and National Heritage.

New Release from MSN Publishing

A publication accompanying Edward Dwurnik’s exhibition—„Duma i wstyd. Siedem opowiadań i poemat” edited by Antonina Tosiek and Łukasz Ronduda—has just been released

Recruitment Results: Summer School for Educators

We’ve announced the results of the second edition of the “Summer School” at the Museum of Modern Art in Warsaw! From among 101 excellent applications, we’ve selected 25 participants. Check out the list below.

Current exhibitions

IN THE VERY BOWELS OF CHANGES:
SURREALISM AND ANTIFASCISM

26.06.2026–10.01.2027

WAYS OF THE BLACK SPREAD OVER THE WHITE LAND

26.06.2026–10.01.2027

EDWARD DWURNIK: PRIDE AND SHAME

31.07.2026–28.02.2027

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