• A surrealist oil painting depicting an anatomical, skinless figure sitting in an armchair with its legs stretched out, surrounded by abstract furniture in an empty, sterile room.
  • An abstract painting by Julie Mehretu
  • A colorful painting depicts a bustling city market scene. Foreground features vibrant fruit stands with oranges and apples. People interact warmly, surrounded by historic buildings. The artwork conveys a lively, communal atmosphere.
  • The painting depicts two dark-skinned figures with geometric tattoos or face paint, shown in unnatural poses against a solid violet-blue background. The figure on the left wears a coral-colored outfit, and the figure on the right wears a light pink dress with a white collar. Floating between and around them are symbols of Western consumer culture: a bottle of whiskey, a glass with ice, a pack of Camel cigarettes, a radio, and a small dog on a leash.
  • A close-up of lush greenery and wild strawberry leaves, with a small ladybug perched on a thin blade of grass in the center of the frame.
  • Two women are standing with their backs to the camera in front of a large glass window, admiring the view of the Palace of Culture and Science, a red construction crane, and Warsaw’s skyscrapers on a sunny day.
  • Oil painting: an older man and a boy are sitting at a table where the man is painting large blue letters that spell out the word “PODNIE” on a white piece of fabric. A pair of glasses and some paint lie nearby. The boy is watching him work.
  • An artistic, intimate shot depicting two young people wearing only black underwear. A blond-haired man is using a small brush to paint a red pattern on the face of a woman standing against a wall densely covered with sketches and drawings. The entire scene is bathed in the warm, orange light of a lamp standing on the left.
  • A still from the film showing three people having breakfast in a bright kitchen: a woman standing and holding a bowl of fruit, and two men sitting at the table—one reading a newspaper and the other looking to the side.
10
26.06.2026–10.01.2027

IN THE VERY BOWELS OF CHANGES:
SURREALISM AND ANTIFASCISM

Now in the museum

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