Friedl Vom Gröller: Vue Tactile (Four Women)
films screening and meeting with the director

We invite you to an event dedicated to the work of Friedl vom Gröller, an Austrian artist, photographer, and filmmaker associated with experimental analog cinema. Gröller’s films, shot on 16mm film, present a variety of approaches to the filmic portrait. Her work combines this genre with elements of documentary and performance.

The program includes a screening of selected films: St. Louis Senegal (2014), 66, rue Stephenson (2013), Boston Steamer (2009), The New Suit (2013), Das Rad (2021), Delphine de Oliveira (2009), Photo Session (2010), Franz West (2002), Graf Zokan (Franz West) (1969), Guilty Until Proven Innocent (2013), Heidi Kim at W Hong Kong Hotel (2010), Herachian (2007), Im Wiener Prater (2013), In Rome (2015), Cherries (2013), l´avenir? de F.v.G? (2018), La Cigarette (2011), Laurent (2005), Le Barométre (2004), My Precious Skin (2013), People on Sunday (2006 – 2011), NEC SPE, NEC METU (2013), Palmer (2023), Passage Briare (2009), Poetry for Sale (2013), Redskins (2023), Silence on the Screen (2014), Sacrificio per la sirena (2020), Sauvez l´abominable (2019), Spitting (2000), Ticino (2017), Four Women (2006), Why Life Is Worth Living (2013), Winter in Paris (2018).

The meeting will be hosted by Pierre Bal Blanc, curator of the exhibition The Cynics Republic – Plac Defilad.