At KINOMUZEUM, we’ll see two films by Sky Hopinka. The evening will open with the artist’s short film I’ll Remember You as You Were, not as What You’ll Become (2016). It is a cinematic elegy for the Indigenous poet Diane Burns, in which Hopinka weaves together archival footage, images of powwow dancers, and the Ho-Chunk understanding of reincarnation into a dense, hallucinatory meditation on memory and duration.
Sky Hopinka’s second film – Powwow People (2025) – invites viewers into the vibrant, pulsating world of the powwow – a gathering where dance, attire, and movement become vehicles for identity, memory, and community. Hopinka, a member of the Ho-Chunk Nation and a descendant of the Pechanga Band of Luiseño Indians, did not, however, want to film this sacred gathering from the outside, with an alienating, appropriating gaze. Consequently, he became a co-organizer of the powwow himself, inviting dancers, vendors, and spectators to participate in a consciously constructed collaboration. Powwow People draws on cinéma vérité, but does not pretend to be transparent. The camera moves among the gathering with extraordinary precision, discreetly drawing the viewer into the intimate, meaning-laden space of the community. Filmed over three days and structured around a single day – from morning to night – the film shatters exploitative ethnographic tropes from within. The participants’ arrivals, preparations, and performances weave a tapestry of memory, movement, humor, and cultural resonance, leading to a hypnotic climax: a 30-minute, uninterrupted shot of the Northern Traditional dance. Powwow People is a cinematic experience of rare intensity that is well worth experiencing.
[Dorota Lech]