Who has the right to speak of desire—and in what language?
Two artists, each in her own way a provocateur and a visionary, have for decades been offering an answer that no one wants to hear: that language is the body.
Malga Kubiak and Barbara Hammer—from opposite sides of the Atlantic, working within different visual traditions—have arrived at a similar place: where the camera ceases to record and begins to touch.
Malga Kubiak’s films (Ego, Super Ego, Flasher) are a three-part treatise on masturbation, guilt, and rebellion—realized with the directness and logic of a dream. The graphic act transforms into an indictment. Kubiak offers no apologies and makes no excuses.
Hammer approaches the body from a different angle—through extreme attention to detail, found footage, and electronic noise. Her films (Sync Touch, Blue Film: No. 6, X, No No Nooky T.V.) span a spectrum from physical intimacy to technology-mediated sensuality—with a detour through appropriated and ironically reworked pornography.
Hammer turns existing images of the female body against voyeuristic conventions, with the care of someone who knows that reclaiming one’s own gaze is a lifelong task.