\"Pubes of Taints\" at the Mona Liza Gallery in Wrocław, 1969 (1-13/13)
At this event the guests themselves became art, which in turn responded to its photographic reproductions. The artist himself was not present in the gallery - he was walking down the streets of Wrocław. Jerzy Ludwiński read Borowski's text, which called upon the visitors to (literally) uncover themselves completely as "the material". That was the end of the process of demysification of art and the ultimate denial of the existence of the relationship between the artist and the viewer.