Conforming to the strategy characteristic of his earliest films, the artist turns his attention to the trivial and the obvious. Evoking the chill of a winter day and the act of warming the hands in the form of a simple and continuous footage of a specific fraction of time and space, the artist investigates the potential of the film to “realise meanings beyond the message” and creates a structure which does not transcend itself. Thus, he encourages the viewer to independently establish the syntactic relations within the film-sign.
References: Ł. Ronduda, F. Zeyfang (eds.), Warsaw 2006; Ł. Ronduda, Polish Art of the 70s Avant-garde, Warsaw 2009; Zdzisław Sosnowski, Goalkeeper, 1977, unpublished, Archive of the Centre for Academic Information and Documentation, CCA Ujazdowski Castle, Warsaw.
Language: no language
Source: 8 mm
© Zdzisław Sosnowski
Ownership form: deposit