Filmoteka Muzeum

The film makes a straightforward reference to the early manifestations of structural film from the circle of the Workshop of Film Form. With time-lapse shots, it, demonstrates that the film-related sense of reality is nothing but a technological creation. Like Józef Robakowski, Krenz concentrates here on the way how film manipulation is able to build a totally unexpected image of the world. He lays bare the frames in which the film camera “forms” reality.

(ŁM)