The artist provides an explanation of the enigmatic title of his film by means of an “installation” consisting of ordinary household objects juxtaposed in an uncanny way. It serves the purpose of conducting a nearly absurd experiment. In his works, Krenz often ironically addresses the aesthetics of scientific research.
However, his “experiments” always contain an element of absurd sense of humour, which helps the artist shake us out of our firm belief in the most basic physical phenomena, operating in the field of the conflict between cognitive rationalism and empirism.
Source: BETA SP
© Igor Krenz
Ownership form: deposit