The Art of Bottom-up Urban Development: The Case of Public Works
Meeting with Andreas Lang and Signe Pedersen

The meeting was devoted to presenting and discussing practices which have emerged at the intersection of temporary, interventionist architecture, urban experiment, and public art. Artists, activists, and architects who hybridize these practices turn cities into laboratories, where disciplinary barriers are nullified by way of the fusion of architectural methods, of artistic competence, construction skills, and a do-it-yourself ethos.

Frequently, such a crossover between contemporary art and architecture has a significant political impact on how cities are developed and managed. On the one hand, they contain a promise of a citizen’s empowerment by encouraging their hands-on participation in the processes of urban development. On the other, they may be instrumentalized by city managers and private developers as an ersatz of democratic processes, or as a beautification of harsh genetrification. 

These contradictions and paradoxes are discussed in reference to the case of Public Works, an example presented at the exhibition Making Use. The meeting refered to their most recent project “R-urban Wick,” realized in Hackney Wick, a district of East London undergoing rapid development and gentrification.

This pilot project challenges top-down, profit-oriented city management by initiating local ecological cycles and alternative models of urban living. The case study “R-urban Wick,” is contextualized by Signe Pedersen, who discusses in a more general sense the role of temporary art and architecture in the context of urban regeneration.

Andreas Lang is an architect and an educator and a founding member and a managing director of the Public Works collective, based in London. Andreas is the author of numerous texts on the subject of art and architecture; has lectured, among many others, at the Royal College of Art and Central Saint Martins in London; and has organized workshops across Europe and beyond.

Signe Brink Pedersen is a Danish curator and researcher. Signe has curated a number of exhibitions and projects in public space. For the last six years she has been the chief curator of the arts program at the Roskilde Festival. Currently, she is completing her PhD on the role of art in urban regeneration at Aalborg University in Denmark.

See also:

Exhibition and other archival events connected:

19:00 Lecture Forensic Architecture Lecture by Eyal Weizman Museum of Modern Art in Warsaw, Emilia Pavilion
ul. Emilii Plater 51, Warsaw
19:30 Film screening Cineclub #4My Name Is Janez Janša: On Changing Names and Consequences of Such Subversion Museum of Modern Art in Warsaw, Emilia Pavilion
ul. Emilii Plater 51, Warsaw
19:00 Meeting Close Up #3Instruction-Based Art. 50 Unrealized Artwork Recipes by Greg Sholette Museum of Modern Art in Warsaw, Emilia Pavilion
ul. Emilii Plater 51, Warsaw
13:00 Workshops Knowledge is PowerLearning Flags Workshop Museum of Modern Art in Warsaw, Emilia Pavilion
ul. Emilii Plater 51, Warsaw
14:00 Event First Warsaw Patainstitutional Convention Museum of Modern Art in Warsaw, Emilia Pavilion
ul. Emilii Plater 51, Warsaw
15:00 Guided tour Guided Tour of the „Making Use” project Museum of Modern Art in Warsaw, Emilia Pavilion
ul. Emilii Plater 51, Warsaw
19:00 Meeting Close Up #4Elka Krajewska presents Salvage Art Institute Museum of Modern Art in Warsaw, Emilia Pavilion
ul. Emilii Plater 51, Warsaw
19:30 Film screening Cineclub #6Beyond Work, Beyond Refusal: A Cinematic Lecture by Marina Vishmidt Museum of Modern Art in Warsaw, Emilia Pavilion
ul. Emilii Plater 51, Warsaw
18:00 Seminar Readings for Art Users #6Diogenes, Duchamp and rejection (of art, work and others) Museum of Modern Art in Warsaw, Emilia Pavilion
ul. Emilii Plater 51, Warsaw