Where the West Ends?
Connections to Eastern Europe. Inke Arns: 'Avant-garde in the Rear-View Mirror: From Utopia under General Suspicion to a New Notion of the Utopian

The presentation addresses a paradigmatic shift in the way artists reflect the historical avantgarde in visual and media art projects of the 1980s and 1990s in (ex-)Yugoslavia and Russia.

The reasons for this paradigm shift can be found in the changing relationship to the notion of utopia, both in its political and its artistic connotation.

See also: