Working with Zofia Rydet's “Record”
An inclusive tour of the exhibition

We are proud to present a series of activities in conjunction with “Zofia Rydet. Record, 1978 – 1990”. Educators and volunteers invite you to take part in small-scale meetings that combine guided tours and workshops that allow a deeper experience of the exhibition.

During a two-hour meeting the participants will have the chance to work with the exhibition of Zofia Rydet's photography together, focusing on several aspects of the project. We especially encourage people who are eager to discuss and like to ask questions and seek their own answers – people who have an open approach to creative situations and an interesting perspective on the exhibition from some original points of view.

To fully benefit from the meetings we encourage seeing the exhibition beforehand. Sign-up forms can be found on pages devoted to individual meetings.

This series of events is organized with the support of Agnieszka Pajączkowska – cultural manager, culture expert, graduate student at University of Warsaw's Institute of Polish Culture (Faculty of Film and Visual Culture), member of the Association of Creative Initiatives “ę” and the Katedra Kultury Association. Her focus is on creative, critical and theoretical work in the field of photography, especially the practices of everyday and functional photography. She has an interest in museum education and the concept of visual education. Leading workshops and other photography-related activities, she has worked with, among others, Krakow Photomonth Festival, Sputnik Photos and the History Meeting House. At the Museum of Modern Art in Warsaw, together with Katarzyna Mieleszko, she organized workshops for the “Lest the Two Seas Meet” exhibition. She collaborates on projects that merge photography, visual education and local history, such as Migawki. Spotkania z fotografią (“Snapshots”), Seminarium Wizualne (“Visual Seminar”), Tożsamości Odzyskane (“Retrieved Identities”), Wizualny Eksperyment Muzeany (“Visual Museum Experiment”). She has been working with the “Sociological Record” since 2013 as part of the “Something that remains” project. She also runs her own project called the Traveling Photo Lab.