Filmoteka Muzeum

With the sense of potential danger, the emphasis in this exercise with the laws of physics is placed on spectacularity. The force of film language is sharpened here nearly to the form of a gesture, thus changing the stance of the viewer from withdrawn to engaged. The process of borrowing the elements of a spectacle from the field of media culture and drawing up their de-contextualised image has, however, a subversive foundation and stands for an expression of criticism. In his action, Krenz taps into the emotional-visual code taken from the reality that he criticises, triggering at the same time an essential shift of meanings.

(ŁM)