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Eustachy Kossakowski archive

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  • Collaboration with artists
    • Collaboration with artists
      • Edward Krasiński
      • Tadeusz Kantor
        • Operas „The Prisoner” Luigi Dallapiccola and „Bluebeard's Castle” Béla Bartók, 1963
        • Tadeusz Kantor\'s works, early 60\'s
        • „Wystawa popularna” at Krakow\'s Krzysztofory Gallery, 1963
        • Tadeusz Kantor, Cricotage, 1965
        • Tadeusz Kantor, „The Letter”, 1967
        • Tadeusz Kantor's „Panoramic Sea Happening”, 1967
        • Tadeusz Kantor, „The Water Hen”, 1968
        • Tadeusz Kantor's studio at the Academy of Fine Arts in Cracow, 1969
        • Tadeusz Kantor's students, 1969
        • „Rembrandt\'s Anatomy Lesson”, 1969
        • Tadeusz Kantor, „Multipart”, 1970
        • Tadeusz Kantor, „Wielopole, Wielopole”, 1980
        • Tadeusz Kantor, Ou sont les neiges d'antan, 1982
        • Tadeusz Kantor, Galerie de France, Paris 1982
      • Włodzimierz Borowski
      • Krzysztof Niemczyk
      • Jerzy Grotowski, „Apocalypsis cum figuris”, 1975
      • Henryk Stażewski
    • Artistic events and life around Foksal Gallery
    • Krzysztofory Gallery (selected events)
    • Galerie 1-36 and other art events (after 1970)
    • Eustachy Kossakowski - documentation of exhibitions
    • Polish artists (various)
    • 1st Symposium of Artists and Scientists in Puławy, 1966
    • 1st Biennale of Spatial Forms in Elbląg, 1965
    • Action We are not sleeping at the exhibition and Symposium of Visual Art, 1969
    • Exhibitions and events before1970
    • Exhibitions and events after 1970
    • events in Poland after 1970
  • Documentary and street photography
  • Series
  • after 1970

Tadeusz Kantor

Tadeusz Kantor (1915-1990) appeared in the Warsaw community in the mid-1960s. He was already an established artist not only as a painter, but most of all as a founder of Circot 2, a theatre rather radical in its ways. For young artists he was a symbol of a radical approach in art. A relationship between the communities of young critics and artists (and, at the same time, future creators of the Foksal Gallery) already existed in the 1960s as they discussed Kantor's art and exhibitions in various magazines (e.g., Wiadomości plastyczne, dodatek do ITD, Projekt).

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Operas „The Prisoner” Luigi Dallapiccola and „Bluebeard\'s Castle” Béla Bartók, 1963
37 objects

Operas „The Prisoner” Luigi Dallapiccola and „Bluebeard's Castle” Béla Bartók, 1963

Tadeusz Kantor\\\'s works, early 60\\\'s
12 objects

Tadeusz Kantor\'s works, early 60\'s

„Wystawa popularna” at Krakow\\\'s Krzysztofory Gallery, 1963
6 objects

„Wystawa popularna” at Krakow\'s Krzysztofory Gallery, 1963

Tadeusz Kantor, Cricotage, 1965
103 objects

Tadeusz Kantor, Cricotage, 1965

Tadeusz Kantor, „The Letter”, 1967
93 objects

Tadeusz Kantor, „The Letter”, 1967

Tadeusz Kantor\'s „Panoramic Sea Happening”, 1967
131 objects

Tadeusz Kantor's „Panoramic Sea Happening”, 1967

Tadeusz Kantor, „The Water Hen”, 1968
91 objects

Tadeusz Kantor, „The Water Hen”, 1968

Tadeusz Kantor\'s studio at the Academy of Fine Arts in Cracow, 1969
36 objects

Tadeusz Kantor's studio at the Academy of Fine Arts in Cracow, 1969

Tadeusz Kantor\'s students, 1969
8 objects

Tadeusz Kantor's students, 1969

„Rembrandt\\\'s Anatomy Lesson”, 1969
105 objects

„Rembrandt\'s Anatomy Lesson”, 1969

Tadeusz Kantor, „Multipart”, 1970
9 objects

Tadeusz Kantor, „Multipart”, 1970

Tadeusz Kantor, „Wielopole, Wielopole”, 1980
181 objects

Tadeusz Kantor, „Wielopole, Wielopole”, 1980

Tadeusz Kantor, Ou sont les neiges d\'antan, 1982
44 objects

Tadeusz Kantor, Ou sont les neiges d'antan, 1982

Tadeusz Kantor, Galerie de France, Paris 1982
56 objects

Tadeusz Kantor, Galerie de France, Paris 1982


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